Dets, I finally made it to the master post and just spent the last hour crying over the music. The sheer emotion. Iron Hills Soldier song!! And the Cradle song! I’m emotionally wiped. It’s just like I went back and reread Sansûkh with the music all playing in appropriate places.

Aaaaaaah I am so glad! SERIOUSLY so so glad – it’s my passion, music, and my livelihood, and so the pressure i put on myself when it comes to it is probably a bit too much but yeah, I am so SO GLAD you enjoyed it and that you emotionally connected with it!

*yodels joyously* THAT’S THE BEST FEEDBACK ANY MUSICIAN CAN HEAR TBH

the-anchorless-moon:

sometimesophie:

argumate:

erai-crabantaure:

Okay, so if you’re only familiar with the movies, then you don’t know this, but in the Lord of the Rings books when Boromir dies, Legolas and Aragorn sing a song at his funeral (no Gimli doesn’t sing). Now when I read the books, I fell in love with this song, because it’s a beautiful poem, and you should go read it. 

Well I was thinking about it again today, and one thing that still impresses me, is that canonically, Aragorn and Legolas come up with this on the spot. There doesn’t appear to be any moment in which they sit down and write this, they just sing. And it can’t be a standard funeral song because it specifically references Boromir and their journey

Now the real reason the poem is so nice is because Tolkien was a poet and loved to fit as much poetry as he logically and illogically could into his works, and naturally he had plenty of time to revise this death-song and made it beautiful, but I came up with an in-text explanation as well.

So I’ve decided that clearly this is a well practiced skill for elves and people raised by elves. They obviously spend evenings sitting in halls coming up with spontaneous poetry which they then recite to the crowds. I am adamantly convinced this happens. Seriously, read up on Tolkien’s elves and tell me I’m being unrealistic.

But to the point, thinking about this, I decided that naturally most of the poetry we see from the elves is beautiful and flowing and elegant because that’s the style they’re familiar with. But if introduced to other styles of poetry, they likely could do quite well

So what I’m saying is, elves would be really good at freestyle rapping

damn, I was yelling Elvish rap battles! before I got halfway through the post

YES. ALL OF THIS. 

I only have two tiny things to contribute to this post: 

  1. If you are like me and love the Lament for Boromir, you absolutely need to go listen to this version by @everywindintheriver. She does a lot of setting Tolkien poetry to music, but this remains one of my absolute favorites; it’s quite beautiful and haunting. 
  2. Elvish rap battles are 100% canon. In Silmarillion version of “The Tale of Beren and Luthien,” there’s a bit where Sauron captures Beren and Finrod Felagund while they’re on a quest, and “Felagund strove with Sauron in songs of power” or, in other words, they literally had a contest where they sang poetry at each other and tried to destroy each other with their words, so. Elvish rap battles definitely definitely happened. 

@determamfidd

HEY THIS IS AWESOME… and i also have a thing to add!

The reason Gimli doesn’t sing? Is because they left him the East wind. So, Aragorn first sings of the West wind, then Legolas sings of the South wind, and then Aragorn sings of the North wind, all asking of news of Boromir. 

But to the East is Mordor, and you can imagine that Mordor is pretty damned pleased about the recent adjustment in Boromir’s breathing conditions.

So Gimli, tactfully, doesn’t sing. 

‘You left the East Wind to me,’ said Gimli, ‘but I will say
naught of it.’

‘That is as it should be,’ said Aragorn. ‘In Minas Tirith
they endure the East Wind, but they do not ask it for tidings.’

– The Departure of Boromir, The Two Towers.

From this, I personally surmise two things. 

a. Book-Aragorn is a tremendous attention-hog. WHAT A SHOWPONY.

b. it’s not uncommon or unusual for Dwarves to be warrior-bards, no less than Elves. 

*lies facedown on the floor*

i’ve worked for two and a half days straight on recording all the string parts for ‘Light on the Horizon’. I’ve re-recorded and deleted and re-recorded and adjusted and prodded and tweaked, deleted and then done the lot all over again… and it still sounds like

augh why do i suck

DETS I THOUGHT YOU WERE GOING TO MAKE ME CRY BUT THEN IT WAS FUNNY AND SMUTTY AND THRANDUIL AND IDK I JUST REALLY LOVED THAT AND THOUGHT I SHOULD SHARE

LMAO I KNOW, I was trying to make everyone think it was gonna be a sad mortality-sucks fic, hehehe. And to be fair, most of what I write is marinated in angst, then fried in pain and probably covered in angst sauce to finish.

i just decided to change it up with a little happy thirsty smuts instead 😉

I am so glad you liked it, lovely Nonnie! *hugs* heheheheh, poor Thranduil, heard way more than he ever wanted to!

sroloc–elbisivni:

Back at it again with the cello music! This one’s also from @determamfidd‘s Sansukh, Gimli’s Jig from Chapter 42. It’s an arrangement, actually written out and not just done by ear this time, because learning things by ear is hard. Also arranged because can I play the part written as is in treble clef? Technically yes. Would I enjoy it? No. 

This was fun. (even though listening to it a day later i can hear how many mistakes I made, yeeeeeeep…)

Dets’s provided sheet music is here, the original violin audio is here, the bass clef arrangement I made is here. This is a video again because, once again, my computer refused to be cooperative in regards to sound files. 

OH MY GOD

*dances madly* YESSSSS THIS SOUNDS AMAZING ON CELLO HOLY HECK..!

And a bass clef arrangement…! *gibbers in happiness* AHH THE DOUBLE-STOPPING SOUNDS SO AWESOME DOWN LOW, andhblajshdgaljh aaaaah the first jig sounds so? KICKASS? AHHH

*hugs and hugs* YOU MUSICAL FABWIZARD THANK YOU SO SO MUCH, this is awesome! 

(lmao less mistakes than I made, and in one take, also! :DDD )

DETS I READ MITHRIL IN HIS BEARD AND I THINK I LOVE YOU. I thought it’d be sad bc mortals aging and all that, but then it was just Legolas being all hot and bothered bc of the steaming hot dwarf he’s been married to for fifty years asahdasjff AND THE SMUT WAS SO GOOD, and I also really loved all the shorter parts before, with Legolas observing the changes in his friends and Gimli, and them living their bright future in a land with safe roads and good cross-kingdom relations, AND SAM’S PART AAAHA

AHH NONNIE! you’ve made me so happy to read that! That was part of the plan: that it would at first seem like an ‘oh no – mortality! (DUN DUN DUN!)’ fic, and we’d be bracing ourselves to see Legolas being all sad about it….

…and then Legolas would totally flip the script by basically going, ‘NOPE, TWICE AS HOT NOW, HOW DOES HE DO THAT,’ and jumping Gimli’s bones, lmao.

(gimli didn’t help him at all, the gigantic tease)

SO STOKED YOU LIKED THE SMUT! I had fun with the brinkmanship and the sheer non-humanness of them this time around 😀 Very experienced pair this time – as opposed to say, ‘Snowmelt’ in which they don’t know a dang thing about each other! So much talking and joking, though. These two never shut up, even in bed!

I am so so thrilled you liked the opening build as well! Awww, Sam, I love him forever, brave sweet bab. I love just how much he gave to his home, I really do, he’s just amazing. And hooray you liked the glimpses of the happy and prosperous future! I think I really like writing in the Aglarond-era, dazzling city of the White Mountains, I gotta do it some more ❤

Thank you so much, Nonnie! Thank you so so much!