the broadbeam cradle song made me too goddamn sad in a minor key, so i was thinking about transposing it to major. then i realized how much of an undertaking that would be, and i’m not really sure where to start. do you have any advice? (i know the dwarves probably sing in minor most of the time because they have sad songs, and for the heartbreaking moment it was for the cradlesong should be in minor, but i feel like lullabies can be in major? idk)

Hey Nonnie! Yes absolutely lullabies can be in a major key! Tons of the most famous ones are, after all! This tune came to me in a minor key, is all 🙂

Yeah, sure! Here we go, a long answer/ramble on turning the main tune of the Cradle-Song from D Minor to D major. Not sure how much notation you can read, so I’m gonna go with pictures, and solfa, and sorry in advance if I am wordy and a bit of a drag.

The original key was D minor. It has just the one flat, right there in the key signature. The scale goes like this.

D  E  F  G  A  Bflat  C  D

The flat means that the note has been lowered by a step (a semitone).

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D Major, however, has two sharps. F# and C#. 

D  E  F#  G  A  B  C#  D

A sharp means that the note is RAISED by one step (a semitone). 

IDK if Solfa helps you more, but here’s another way of looking at it for you. In Solfa, these two notes would be here, in D Major (the ones that are bolded):

Do Re Mi Fa So La Ti Do

(We’d also have to raise ‘La’ a step, jsyk – it was the previously-flattened b-flat in the Dmin scale, but that’s not applicable to this tune bc I don’t use it!!)

So, if you raise ALL the ‘Mi’s and ‘Ti’s in the song by one step, you end up with something that looks like this:

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(yes yes, musos, I know I could have put them in the key sig instead, but this is more visual I guess. I dunno. It’s easier to see the sharps!)

Now, lets throw the words back on top of that. 

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And that sounds like this:

Broadbeam Cradle-Song – D Major (mp3)

Ta-raaaaaah!

(your music is so lovely and wonderful and every time i am just destroyed by feelings. this has been/will be a doozy of a quarter for me, and sansĂ»kh and your songs give me hope, and strength. thank you.)

*hugs you tight* So damned sorry to hear it’s a hard time for you at the moment, Nonnie. You’re pretty hecking amazing to be slogging through that rough stuff. You’re in my thoughts, okay? I hope you get the chance to do something kind and gentle for yourself every so often. 

Glad you like the music! And doubly glad that it helps. It’s my thing 😉

Hey, I’m writing a Bagginshield fic and when it gets more into family relationships I’ve been taking the Sansukh world as canon (I mean, it is canon to me but whatever) and I would therefore be taking some of your characters and playing with them in my own story? I’m talking Gimris (who I adore), Thira, basically all the kick-ass dwarrowdams you’ve dreamed up and given us to fall in love with. But I don’t want to play with them without your permission! Is that OK? (Fic- To the End of Their Days)

Nonnie, you are entirely and completely welcome to play with any and every one of my characters! Just drop a line somewhere to give me credit.

I will have to check out your fic! I am excited to see Thira’s name there :))) my withdrawn wise weaponsmith aw yiss! 

How do you manage to stay fixated on one fandom for so long? The longest I’ve ever been able to do that was maybe a year but I doubt it was that long

By taking long, long breaks, and by fandom peeking. 

I do get burned out. I am burned out right now, as it happens. After nearly four years, I am SO burned out!! But I stick to my guns, because I promised I would finish. And I remind myself of what I love about this gigantic, consuming, wonderful thing. 

And yeah, fandom peeking is fun. I read a fair amount of fic outside of Tolkien fandom. And often it is for fandoms that I don’t know anybody active in, or have never participated in. Sometimes I need a total change of pace, a new vista, and a fresh gust of air to blow the Mirkwood cobwebs off my brain.Â