I’m gonna go with FAK (since C and U have been answered already) for the Writer Ask. Also I love that you’re being so open with us. :) It’s one thing to read your FUCKING FANTASTIC work, but I love to know more about you. (in a non-creepy way ofc) You’re a lovely person, and very interesting. And yes, I’ve been using the L-word a lot because it’s mostly what I feel when I think of you. ♥ (I’m not a creeper I swear you’re just too great for words)

And you are an absolutely lovely soul to say such lovely things, lasdgjlah my brain is shorting out, it cannot handle such a sheer level of NICE, thank you so sos oso much!!

F: answered here!

A: What do you write?  Fanfiction, original fiction, nonfiction, articles, songs, poems, essays, plays, what?

Fanfic, nonfiction, articles, songs (MY WORD DO I EVER WRITE SONGS – lyrics, chords, orchestration the works), sometimes poetry, I’ve written plays in the past, too. 

K: Share an old, embarrassing work?

Ooohhhhhh ouuuuuuchhhhhhhh FINE OKAY FINE, *strikes dramatic pose* IF I MUST hehehehheh

Here’s one from 2011 – and to achieve maximum possible cringe, I chose a crossover :DDDD

War Stories – Megamind/Doctor Who (Crossover), Teen, 8.5K, complete.

Writer ask: F, U, V :)

AWWW HI THERE DEAR. How’ve you been? *hugs and hugs with a Poe on top*

F & V: Answered here!

U: What’s your least favorite part of the writing process?  Why?

The final edit, when it’s so nearly done, so nearly ready,  and I’m impatient to post the damn thing and move away from it. I have to stop and breathe a lot, talking myself through it, counselling myself to be patient and stay focused on what I’m doing or I’ll miss something. But I just want it DONE AND FINISHED, GOTTA PAY ATTENTION THOUGH AUGH, CAN i POST PLS. I am not always fab at self control!

Another thing I dislike about the process is bloody, BLOODY formatting – but that’s terribly fanfic-specific, I guess! 

F, G, V

BOO! hello there, Team Sauron, how you been? *hugs*

F: What’s your favorite book? Favorite author? 

AUGH SO DIFFICULT. MUST. RESIST. URGE TO NAME. EVERYONE. EVER. 

TOLKIEN OBVS. 

Robert Graves. Marion Zimmer Bradley. Guy Gavriel Kay. I have a jones for historical fiction, y’see!

The Discworld series by Sir Terry Pratchett (GNU TERRY PRATCHETT) – in particular, Hogfather, Thud!, Night Watch. 

The Earthsea Quartet, by Ursula Le Guin. 

(Honourable mention: The Crystal Singer series, by Anne McCaffrey.)

Fic authors I look up to with breathless admiration: @themarchrabbit, @scarletjedi, @elenothar, @emilianadarling, enigmaticblue on AO3, @swearydroid, @copperbadge, icarus_chained, @yubiwamonogatari – okay I must stop or I shall be listing people FOREVER, believe me THIS LIST IS VERY VERY LONG. FOLLOWERS WHO SEE THIS? YOUR NAME IS PROBS HERE Y’KNOW. 

G: What’s your least favorite book?  Least favorite author?

Urgh. Um. Anne Rice, tbh. Stephanie Meyer also (an old work colleague lent me the first of her books, and I struggled through it, groaning and rolling my eyes the whole way.)

V: What do you listen to when you write?

I don’t, on the whole. I don’t listen to music as I write! I understand that this might be a bit odd? people have asked before. But I’m a muso IRL, and I have been trained to pay attention to music. It forces itself into the forefront of my brain rather than staying as background, it’s amazingly distracting!

THANK YOU BOO, ILU. 

P, X, Y

P: What are your goals for things to happen to your writing? (Getting published, getting a good review, having a fandom, etc)

Escapism, like I said! I never really post with any sort of expectations from fandom, or for accolades yadda yadda. I know that sounds sort of silly or unrealistic, but I tend to view the escapism I find in writing itself as a reward! 

It’s something I’ve done for ages, as I said. Reviews are wonderful, comments are wonderful. I want to share my story, of course I do. I always do. I’ll never get on the case of anyone who writes looking for reviews, EVER, because I can absolutely understand that. I’m just a solitary little mouse, who likes diving into something that isn’t my own reality.  

I guess my main goal is to write a story that I myself find entertaining, escapist, fun, heart-tugging, hot, silly, etc. I want to write something that speaks back to me. On the whole, I like re-reading my own stuff. If I can’t bear to re-read it, then I’ve not achieved my goal. 

X: (Leave a prompt in the person’s ask box)

DONE! Check your askbox, m’dear!

Y: How would you describe the perfect prose?  How would you describe your own prose?

“Perfect prose” is a bit of a pipe-dream, I think, but I can tell you the things I value: elegance, unpretentiousness, lyricism, clarity, innovation. 

My own prose I consider a little overwrought at times. I am also a serial comma abuser. A huge chunk of my editing process is SHORTENING SENTENCES TO MANAGEABLE, READABLE LENGTHS. 

But now and then I write something that pops out of the murky depths of my brain and sit back thinking ‘OKAY THAT’S NICE, good job me, how the fuck did I think of that, where’d that come from????’. 

DETS for the fic ask game (pretty pretty please with Vegemite on top)

POP YOU STELLAR STUPENDOUS AND SWEETHEART OF A HUMAN BEAN HELLO, HELLO MY FREN HELLO *hugs*

I can’t believe you picked my nickname, oh my god bwaaaahahahahahahah, you darling ❤

D: If you had the choice of going without writing forever or going without dinner forever, which one would you choose?

THIS IS A TERRIBLE CHOICE, A TERRIBLE TERRIBLE CHOICE. But I think I have my solution. I will skip dinner – but I shall also begin keeping Hobbit-meals. Second Dinner shall happen, and THAT I shall have. 😀

E: Have you ever participated in National Novel Writing Month or any of its variations?

Nahhh, I’m happy just frolicking around in fanfic tbh.

T: What’s your favorite part of the writing process?  Why?

That magic span of time – though sometimes it can be very brief – when you’re so deep in the moment that you can write and hear the characters say the dialogue as you type it, give an action and see it happen. Those perfect synchronous moments when you are able to slip into your character’s skins effortlessly, hopping from one to the next, seeing the world from their eyes, telling it, feeling it, trying to capture it all before it fades.

That’s not to say that I don’t enjoy those moments where it feels like carving or scultping something, laboriously and carefully, chip by chip, lest you shatter the whole thing. I absolutely do, I am a stickler for minute detail, I like the fine puzzle-piece research stuff HOLY HECK YES i do!

But those moments where you’re soaring and seeing and speaking and feeling, and your fingers can barely capture it – those are what makes it beautiful, for me.

(aaaaand naturally, when you come back to those moments in edit? Usually a big mess, lmao. I do hope that the raw emotion and connection between narrative and character remains after I’ve cleaned it and cleaned it. Hopefully I just distil it!!!)

S: Would you let a stranger off the streets read your first drafts?

Probably not, tbh. I am an obsessive sort of editor!!! I’d be like NO IT’S NOT ANYWHERE NEAR READY FOR HUMAN EYES. I’ve never let anyone read anything that was not 80-90% polished. I am my own worst nightmare. Comes from my English teacher background, I suspect!

C, H, W

AHHH HI HI HI HI!! Thank you, Anila!!!

C: Answered here!

H: How long have you been writing?

uhhh long time. I have a little book of poems I wrote and illustrated in Year 6 (which is 11-12 years old here in Australia), and another book full of short stories and ideas from even earlier – maybe year 4? I’ve had articles and short stories published, never tried for more. *cheerful shrug*

Fanfiction online was beginning to take off by the time I was 17-18 or so. My first years at uni were mostly spent hunched over a gargantuan laptop, glued to some godawful eye-searing Yahoo or geocities site, devouring it all. I tried to write a few things, but they were WOEFUL and I never published them online.

Began properly venturing into fic a little later, perhaps 2005 or so! Spent years and years sort of hovering, playing quietly off to one side, publishing every so often and reading-reading-reading. It’s been nice 🙂

W: What’s your biggest pet peeve in writing?

Ooooh, the Big One. The Big Kahuna. Under a cut, bc see the tags:

Writing itself: I hate writer’s block. I hate depression + writer’s block. I hate demands for updates + depression + writer’s block. I hate anon hate + demands for updates + depression + writer’s block. You see how this is going, heh.

I know it could be considered a little more than just a ‘pet peeve’. But when you’ve been through that particular Dead Marsh a lot, you sort of get… sick of it, and annoyed, and annoyed at your own annoyance. You just become a feedback loop of being pissed off with your inability to write AS WELL AS being pissed off at being pissed off with your inability to write and lskjhadgfljah

Then you get pissed off at being pissed off bc people are being douchecanoes, which saps the will to write EVEN MORE. Youre annoyed at your own inability to rise above it, you’re annoyed at your own enervation. And annoyed at them, naturally. Which is the point when I go and open a bottle of wine and start composing angrily.

it’s stupid and dumb, but I have emotions about my emotions, I am an onion or a cake, one or the other 😀

(in fic/fandom, my greatest pet peeve is untagged “Evil Dain Ironfoot”.  Still sends me into a hurt and screaming fucking fury. It’s barely ever tagged, and this is the only fandom I’ve ever been in where people won’t tag “dark!character”, not even after being asked politely. This is the reason I no longer read Hobbit fic – unless I trust the author.)

For the writing asks: C, L, O

Hello Erina, you amazing person 🙂 *hugs* 

C: Who is your favorite character of your own?  Who is your favorite character created by somebody else?  Why?

ohshit, um. Difficult. It’s a three-way tie between Hrera, Baris and Bomfris. Hrera because I adore writing her, so so much – she’s one of the most fun characters to write, and she has so many shells and ways of deflecting that she’s literally an emotional onion. There’s a lot of fun to be had there. Baris because we share a lot – A LOT – in common. I love her, shy clever musical thing that she is. I’m nowhere near as brave or as stupendously talented as she is, though! And Bomfris because my aggressive awkward sausage with terrible timing is my child forever and ever and ever. 

Of characters created by others (not canon characters, obvs) I am in dizzy, giddy love with both Bera and Valka, both in equal but different ways. They’re from Azhar by @yubiwamonogatari. Why? Because Valka is a badass and Bera is a SWEETHEART and alkjsdhfkajsh just read it.

L: What advice would you give to other writers?

Uh, I’ve tried to give writing advice when asked for it before – it never comes out right, I am shit at advice. So here goes! (you’ve been warned lmao)

Write YOUR story. Doesn’t matter if it’s the zillionth College AU in that fandom -it’s yours, your story.  

People will criticise. Learn to distinguish between true, meaningful criticism that cares about the end product AND about you as a creator and human being, and discard the meaningless criticism that only seeks to tear you down or hurt you. One is useful and helps you grow and work and learn, both as a writer and a person. The other is not. 

Do your research, particularly if you’re gonna write characters that are not of the same gender/race/orientation/ability as yourself. That Shit Matters. 

Work on something else if the words aren’t coming out. Me, I compose music when I can’t write. It’s still keeping my creative mojo flowing, but I’m exercising a different set of muscles, if you will? Draw, dance, write headcanons, whatever. 

Re-read a lot. Edit as you go – and then edit afterwards. Be ruthless. Even if you really like a section or moment, is it NECESSARY? Where does it lead? If it is a stand-alone moment and leads to nothing, it’s not necessary. Cut it out, save it elsewhere, re-use the ideas later on, when they can be relevant to the plot rather than to character or author service.

Adjectives are awesome. Adverbs are awesome. Verbs are awesome. Dialogue is awesome. Description is awesome. Language is awesome. Anyone who says ‘(this word) is a dead word’ or ‘the way you write is too (x or y)’ after consuming your work for free can go step on a lego. 

that being said, though? New paragraph every time someone talks, please. “New idea, new paragraph” is also worth remembering, in order to break up your description.

Okay, I’m done, that’s me all advice’d out!

O: What motivates you to write?

Usually, escapism. I want to disappear into the world I’m writing about, the characters I’m writing about. I love the sensation of falling into the words, disappearing into a moment, feeling it take shape around me. 

(and then ofc I have to tear it to bits THANKS EDITING)

lasdghjkhas thank you, thank you erina!

Reblog If You Are A Writer Of Any Kind And Want To Be Asked These Questions

derekhaleimagines:

ohfora67impala:

askboxmemes:

A: What do you write?  Fanfiction, original fiction, nonfiction, articles, songs, poems, essays, plays, what?

B: How often do you write?

C: Who is your favorite character of your own?  Who is your favorite character created by somebody else?  Why?

D: If you had the choice of going without writing forever or going without dinner forever, which one would you choose?

E: Have you ever participated in National Novel Writing Month or any of its variations?

F: What’s your favorite book? Favorite author?

G: What’s your least favorite book?  Least favorite author?

H: How long have you been writing?

I: What grades do you/did you get in English class?

J: What does writing mean to you?

K: Share an old, embarrassing work?

L: What advice would you give to other writers?

M: How do you feel when somebody gives harsh yet constructive criticism?

N: Which writing blogs and writing help blogs do you follow?

O: What motivates you to write?

P: What are your goals for things to happen to your writing? (Getting published, getting a good review, having a fandom, etc)

Q: How do you get through writer’s block?

R: What genre do you write in?

S: Would you let a stranger off the streets read your first drafts?

T: What’s your favorite part of the writing process?  Why?

U: What’s your least favorite part of the writing process?  Why?

V: What do you listen to when you write?

W: What’s your biggest pet peeve in writing?

X: (Leave a prompt in the person’s ask box)

Y: How would you describe the perfect prose?  How would you describe your own prose?

Z: How often do you read?

Ooooo, this looks interesting.

Okay, this is interesting! I’m so up for this – ask me anything you want, Cinnamon Rolls! :3 ❤️

Sansûkh. 15 and 3, pretty please

Hello, dearest Miss Pop ❤

15. 

What did you learn from writing this fic?

Oooooh heck. So, so SOOOOO much. I have learned so much from Sansukh, it has taught me in so many ways. I have learned how to create a far more subtle character progression than I ever have before. I have learned how to use situations to create tension far more effectively. I am no longer frightened of juggling a million different plotlines and characters; they’re all stories. I think my dialogue is less waffling and stilted, and far more natural. I am not over-worried about my descriptive passages any more, they read more fluidly to me than they used to. I can now write a VERY long-plan, long-game fic with a bit more confidence! I’m less focused on endless backstory or endless dragging explanations. I’m way WAY more invested in inter- and intrapersonal relationships in the here-and-now, and in using those to reveal history instead. I’m better at creating mystery. I’m better at creating surprise (I had a lot of people yelling that “OMG I DID NOT EXPECT THAT’ when Thorin revealed his dark-name!). And I think I have managed to write a couple of suspenseful battle-scenes now, too!

I am also a LOT more confident in building an interesting, rounded and fully-realised character, and in embedding them into an existing world. I am so incredibly grateful that when I set out to populate Middle-Earth with my small army of ladies and nb characters and POC and so on, people took them all into their hearts. I get so many beautiful asks about Bomfris or Gimizh or Laerophen or Merilin or Baris or Jeri or whomever. It is really validating and encouraging, so thank you all so much!!

3. 

What’s your favorite line of narration?

Oooooh, TRICKY. Um, there are a few moments? But I don’t really use massive blocks of description very often. The worst offenders are the setups in Chapters 1-4, but after that there isn’t much in the way of big descriptive sections. Once the story is rolling along I much prefer to progress through dialogue, primarily, and incorporate descriptive sentences within the action, instead of say, painting the setting in super-fine detail. 

IDK, I am not sure I am making much sense here. This is totally not to say I don’t get flowery or lyrical at times, not at all; I absolutely do go on a flight of fancy or two! Bit hard NOT to when using Tolkien as a base text. Anyway. 

With a fic this long, there’s a lot of stuff to choose from. There end up being lots of bits you like, and lots of bits that you go ‘URGH, if I could just do one more edit…’ Here are a few personal standouts, after all that rambling babble! 🙂


  • From Chapter 10:

He turned the half-finished work over in his hands. Here the pan, where a Hobbit might cook bacon or tomatoes or eggs or mushrooms or those little flat cakes that Frodo liked so much. Here the handle, where a Hobbit’s hands would grip sure and steady and confident. Possibly a wooden handle, to reduce the conductivity of heat. Hobbit hands were nimble but soft. Here a divot in the rim, for pouring, and here a maker’s mark: Thorin, son of Thráin. Here around the sides, a wrought pattern of Dwarvish knotwork, each knot surmounted with Hobbitish flowers.

  • From Chapter 11:

Then Gimli took off his glove and held up his hand wordlessly, spreading it before his eyes to show the Elf. He had the great, thick fingers of Glóin and Thráin: broad and powerful. Digging into his belt-pouch he brought out a small golden bead. Then, between thumb and forefinger and with barely any apparent effort, he squeezed it flat.

Tossing it to the Elf, he began to hum an old walking-tune as he stumped along behind the Man of Gondor.

Legolas lifted the disc to his eye, and then he bit down upon it experimentally. His eyes widened, and he looked after Gimli with an astonished expression before following after the Fellowship.

The bead he slipped into his pack.

With a great cry of Baruk Khazâd! Khazâd ai-mênu!, Gimli leapt over the ring of stones to loose Fíli’s throwing axe directly into the face of a charging wolf. He then span and sent his short-handled spinning axe across the throat of another, before punching the snapping beast in the eyes with his mailed fist. The huge skull cracked underneath Gimli’s knuckles, and then he was whirling once more, the axe spinning in tight figure-eights that the arms of no Elf nor Man could hope to replicate. Gimli stood like a rock, his feet planted firmly on the earth as around him his axe dealt shining silver death. The Elf stared for a moment, and Thorin felt unaccountably smug all of a sudden.

“Gimli son of Glóin is the best axeman in two centuries,” he told the haughty creature with quite a sense of satisfaction. “And you, Thranduil’s son, had the audacity to ask what use he would be!”

Legolas gathered himself quickly, and the bow of Mirkwood began to sing its deep and musical song once more. To Thorin’s displeasure the Elf had not boasted unduly of his own skill. His arrows indeed never missed, but flew straight and true and unerring for eyes, throats and temples. Even the darkness and the slowly-growing flickering of the fire did not affect his uncanny accuracy. His hand flickered back and forth from his quiver with unearthly speed, seeming to blur the air around him. At one point he sent two arrows flying simultaneously to fell two separate Wargs, a feat Thorin had to blink at.

Aragorn was possibly the best swordsman Thorin had ever seen. His style was undoubtedly Elvish, but Thorin recognised a solid Rohirrim move amongst the fluid Elvish motions. Then he began to see others as well: here a double-parry familiar to the Men of the North, there a southern Gondorian gambit. Neither was the Man shy of fighting dirty. To Thorin’s great surprise, Aragorn feinted left before drawing a dagger from his boot and sending it slamming into a Warg’s head as it turned to follow, before drawing it out and sending it spinning end over end to bury itself in the eye of another. “Novel,” he murmured to himself, studying the form and effectiveness of such an eclectic range of styles. “Undeniably successful.”

Boromir was a far more formal fighter than Thorin had known. His sword flickered out in the parries and thrusts of the trained swordsman, but he had less of the virtuosic flair of Gimli, Legolas and Aragorn. Rather, he moved in a workmanlike soldierly fashion, each move economical and measured, each stance speaking of hours of drills.

  • From Chapter 12:

The hammer hit the glowing copper with an almighty clang! Thorin wiped off his forehead, and glared at the heavy pot, before hefting the hammer once more. The beaten copper was not bonding smoothly to the bottom surface. When used over a fire, it would not heat uniformly. The food would be unevenly cooked. No Hobbit would accept this.

A Hobbit chose you.

Clang! The hammer came down again, and Thorin shook the hair and sweat from his eyes. Better. The pot would be an attractive thing when finished – warm copper and cool steel, the trailing forms of ivy around the handles. A trifle too heavy for a Hobbit to lift alone. A Dwarf would need to help. Thorin would certainly be strong enough.

They make their way to Moria.

Clang! Perhaps the pot could be used for the spiced stews and soups popular all over the Shire. Perhaps it would hold a boiled ham or a silverside cooked with cloves and peppercorns, or maybe that thick sweet porridge that Hobbits liked to drown in cream and honey. Perhaps it could hold, one day, a Dwarvish bread soup, or the traditional Broadbeam dumpling stew his grandmother had always made. Bilbo would be interested in Dwarven cooking.

The Ring is calling Boromir. It whispers in his ear.

Clang! The hair would not stay out of his eyes, and his sweat was making them sore and stinging. He set the pot at the edge of his forge-fire before tugging off his shirt and wiping his face with it roughly. Then he tied his hair back haphazardly and picked up his hammer once more. The copper would bond, or it would break.

The Fellowship will bond, or it will break.

Clang! He had given his word to his mother that he would try not to dwell in his guilt. But the habits of eighty years were proving hard to break. He had denied his place as a leader of his people and denied his share of any of the good that had come from his quest, but here he was leading once more. Clang! He would stay true this time. Clang! He would not fail his fierce inùdoy Gimli, or the noble desperate Boromir, or the brave young Frodo. Clang! He would not fail Bilbo. Not this time. Clang! He would do his part for Middle-Earth. Clang! Clang! His Maker had known. Clang! The Ring. The damned, damned Ring. Clang!

  • From Chapter 14:

No more would the sharp blue eyes flicker to him in irritation or acknowledgement, or that strange and unexpected compassion. No more would the scratchy old voice offer that infuriatingly opaque wisdom, the calm and gentle comfort, or ring out in that clarion call of righteous rage. Thorin squeezed his own eyes shut for a moment, before he stubbornly pushed his grief away. Gandalf himself had said that death was only another path.

At first the dark pool revealed nothing. And then, just as in the waters of Gimlîn-zâram, the darkness parted. The shapes of the surrounding mountains were mirrored against the sheen of the waters, framing a sky that was an aching and yearning blue. There were sunk seven glittering stars against that blue eternity, like drowned heavenly jewels. They span and dazzled against the deep, though the sun was high and no stars shone in the sky above them.

With a flash of understanding, Thorin realised that this pool, deep Kheled-zâram, was but a pale reflection of the greater profundity of starry Gimlîn-zâram in the Halls of Mahal.

  • From Chapter 18:

Thorin allowed the gentle motion of the boat wash his mind clear. The low sound of Gimli’s laughter, the mutters of the Elf, even the swish of the paddle became dull and muted as he leaned back in the bow and let his thoughts wander. The sharp pang of grief that Rivendell had caused was still there. His heart still ached for his Bilbo, and it would not lessen any time soon. Yet the peace of this moment… Thorin had never appreciated peace in his life. He had never sought it out.

He was beginning to see the attraction.

  • From Chapter 20:

The Elf’s face had been confused and so grief-stricken. Did Elves feel grief as mortals did? Or was it even deeper and sharper, ever-fresh and raw, as their memories never faded? The Elf had said they fled Middle-Earth when it overwhelmed them at last. Thorin could well believe it now. Lothlórien was a land filled with glory and sorrow. Did they ever move on from that bittersweet, lingering sadness? 

  • From Chapter 26

Before them lay a huge and graceful chamber, carved out by nothing more than the rushing of water as though scooped out by some godlike hand. The great vaulted ceiling was held aloft by great stalagmites that had joined the floor over the many centuries, forming thick pillars like the legs of an Oliphant. Each was coloured so delicately that Thorin nearly cried to see them: a dawn-rose here, a red as fierce as rubies there, peach and blue and rust and ochre and earth mingling and comingling, and whites as translucent as the shell of a Hobbit’s ear. A pool bubbled amongst the many pillars, the underground spring obviously finding purchase in this peaceful, beautiful place. Its surface shone like black glass, the water echoing like the chiming of many bells amongst the fluted marble bunting that floated, cloudlike and delicate, from the roof. From the ceiling and walls dripped the shapes of eagles’ wings, spears, banners, sensuously twisted ropes of marble and limestone, massive pinnacles of unearthly palaces for no mortal king. It was more stupendous than the Erebor of the days of Thrór, all aglow as though lit from within and as lucent as the webbed skin between Thorin’s thumb and forefinger. And all around, the walls and columns and even the floor of the massive chamber glittered like a handful of diamonds against black velvet. 

  • (I am quite pleased with the opening inner monologue of Ch27 – Thorin’s angry, desperate delusion, all his excuses and terrible reasons and the frenzy of denial, as he tries to convince himself that Legolas and Gimli are not in love even though he deep-down knows it to be true.)
  • From Chapter 29:

It was like a dance. Bifur remembered it well, from his years of mining. Each Dwarrow knew where they were to be, and any change was instantly noted. The utter familiarity of the work and workplace meant that the smallest difference was as jarring as a wrong note in a well-loved song. Though the concentration never wavered, the steps moved in response to that lingering wrong note and the dance would begin anew. The movement, the work, the utter trust in your fellows, the ring of metal upon rock – Bifur had not expected to miss it.

Laerophen’s alien eyes swept the massive cavern, taking it in. The moment he understood, his whole demeanour shifted slightly – only slightly, but Bifur somehow perceived that it was profound nevertheless.

  • From Chapter 30:

Thorin stared. There were tears standing in Gimli’s eyes, though they did not fall. His cheeks were flushed above his uncombed beard, and his teeth were white and bared amongst the strands of bright red hair. The snarl upon his face was as familiar as breath itself. He looked – he looked like Thorin himself, for the first time in his life.

  • (I am also p proud of Gimizh’s misadventures in the tunnels, from Ch31.)
  • From Chapter 38:

Legolas watched with undisguised interest as Gimli stretched as far as his frame would allow. Gimli was just so vibrant, so incredibly vital. So utterly unlike himself. They were so very different. It seemed that everywhere Legolas was slender Gimli was broad. Heavy, not light. Massive-armed and thick-necked, with strong stout legs and incredibly wide across the shoulders, yes – and a stocky waist, not whiplike as those of Elves – all dense muscle beneath his furry skin and layer of padding, no doubt.

  • (Aaaaand every last drop of Bilbo’s internal monologue, also from Ch38)
  • Lastly, from Chapter 39:

The wind was the same, blowing icy across his face. That was all that remained the same, however, and Thorin opened his eyes again onto a scene from a nightmare. Black smoke belched into the air, and nothing grew as far as the eye could see. They stood upon a high rise, and the stones were melted into torturous shapes beneath his feet, as though Mahal’s earth were struggling against the horror that had been forced onto its back. The plain stretched out before them, covered in bristling shapes of tents and the dull glint of weaponry. Every so often the glow of fires in deep pits could be seen, like dragon’s mouths breathing into the night-dark sky.

And in the distance – not forty miles away – stood the slopes of the great fire-mountain itself, shouldering out of its own filthy spume, bulking massive and sullen and final. Behind it, half-hidden in the vast shadow and shrouded in its own cloak of menace, stood the vicious jagged tooth that was Barad-dûr.

Thank you so much for the Q’s, Pop! *hugs*

#5, for “Red Against White,” please.

5: what part was hardest to write?

Eeeeeeeeeee, this was one of those fics that just pourED out in a single sitting, tbh. All the torture-scenes, all the nonlinear elements, all the team reactions, they all came as easily as blinking. The hardest part was actually the final Tony and Bruce scene: I was still feeling my way with getting Tony’s dialogue-patterns down. It was also a bit tricky getting the tone of the ending right: Hulk’s little section. He’s so sparing with words, the way I write him, so I wanted to be careful with that whole diametric imagery – y’know, the clear green stream bubbling happily – so that it didn’t feel OOC or trite. 

Also – HI PEPPERPOT HI HI HI *hugs*